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Audience Development and the symphony orchestra-do you really want GenX?

This morning my thoughts are on the symphony orchestra, the musicians and the audience.  I recently went to a CMF concert where the musicians were mainly GenX’ers (27-43), but the audience was still mainly Baby Boomer and Silent generation (44+).  Why is it that orchestra’s seem to have no problems with refilling the performer seats, but have all the troubles of filling the auditorium seats with this age group?

Please allow me the ability to ramble a bit on this blog.  I hope my thoughts will lead to some useful solutions in the end.

Since I am GenX, I will be referring to this group as “we.”  We tend to have some disposable income at hand so GenX is a prime target for all of the arts.  However, are the arts seriously looking at what makes our generation tick and how to connect with us?  I am seeing a little more out of the comfort zone marketing to attempt to lure us, but for the most part, same old same old structures are still in place, and they do not work for us.

So here is a nutshell view of what the majority of GenX tends to lean towards:

1. We like it bold and quick.  If you don’t capture our MTV attention spans within the first few sections, you lose us.   This means that information needs to be short and sweet, filtered, bulleted, bold, colorful, and daring.  Once you have our attention, you have our attention.

2. We rarely tend to commit to package deals, unless they are flexible and convenient and/or something irresistible is a part of the deal.  Subscriptions are dying due to this lack of commitment from my age group.  I admit that I rarely buy subscriptions.    However, I do see that we tend to purchase season passes if we really enjoy something.  The Season Pass is different than a subscription.  For one, we can use it anytime we want as opposed to subscriptions that are mainly set concert packages with set dates.  Another reason Season Passes work is if they have some extra value attached to it.  My age group loves to buy if we can use the pass in more than one way.

3. My age group will go to a concert if there is a fun social activity attached.  Why do you think we purchase $50-$300 tickets to a rock concert?  We get to hang out with our friends and be a part of the scene.

4. With GenX, loyalty is built when relationships and trust are built.  We are the age group that may have had some exposure to the arts as kids, but it wasn’t pushed as a mainstream activity like it was for the Baby Boomers.  Why do you think typical marketing is not working for this age group?  Audience development is important to get the GenX crowd coming to your events.  Transparency and trust are needed to build relationships, two things that marketing alone isn’t very good at establishing.

5.We tend to listen to ourselves and our friends more than the media.   Find bright GenX’ers to be a part of your team. Getting GenX to become part of the audience means getting GenX’ers as staff and volunteers to help with the relationship building.

Lastly, to address the interesting point of young performers vs. young audience, I feel the big reason GenX may not be attending is the fact that GenX likes to participate.  If you take a look at our generation as a whole, GenX likes to be a part of the action, either as individuals or sometimes in groups.  We like to get our opinions out there; we like to make a difference; we like to tell people about new things that are happening.  If you don’t believe me, take a look at Twitter and Facebook.  I’m fairly certain that the majorityof the users are GenX (and GenY).    Some of the other users are people attempting to get in touch with GenX.

So, with this said, if you add more audience participation to the mix, GenX would really like it.  Going to a concert that forces us to be quiet the entire time is not what most of us consider fun.  Being a part of the concert is more fun.  I do believe there is a way to incorporate audience participation without offending the older generation.The neat thing is, when more audience participation is incorporated, most of the audience, regardless of their generation, has a great deal of fun and the concert will be more memorable, which helps build audience for future concerts and events.    This audience participation element also is good to use at your special events and gala to attract GenX to become donors and volunteers.

All in all, it really isn’t the fact that my generation doesn’t like classical music, it’s more due to the fact that the way classical music is sold and performed is not our bag.  The proof, look at internet sales.  Younger generations are buying classical music online.

If we don’t have a say in what and how we buy, and if there is no avenue for participation, most of us will not spend our hard earned money on a product that does not take our desires into account.

If you want to reach us, it may be time to make the changes that will reach us.

Until next time, may your audiences be happy and loyal ones, and if they are not, feel free to contact me!

~Shoshana~

Shoshana Fanizza is the founder of Audience Development Specialists. Her mission is to introduce artists and arts organizations to their existing and potential audiences and to help them to form more rewarding relationships.

http://www.buildmyaudience.com

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Great idea for audience development for symphony orchestras!

Springfield Symphony offering free ringtones

Now you can get short clips of the orchestra in concert on its Web site

By Andrew McGinn, Staff Writer

SPRINGFIELD — Beethoven’s ninth has finally caught up to “I Kissed a Girl” and the “Super Mario Brothers” theme.
It’s now a ringtone — brought to you by an unlikely source of ringtones, the Springfield Symphony Orchestra…What started as an idea by the symphony’s audience development committee is now a reality…The idea, according to SSO Executive Director David Deitrick, is to get people talking about the local symphony whenever a phone rings… “They can be ambassadors for the symphony every place — except at a symphony concert,” he said.

Read Article

This is a really good idea.  I happen to have a Wagner Ride of the Valkyries ring tone and since it is different than most ring tones, people do happen to ask me about it.  I think the key is to find a piece of music that is a little different than the already popularized Eine Kleine, but having the actual symphony sound instead of the tinkling midi ring tone is definitely a step for getting some attention.

So what’s your ring tone?

Until next time, may your audiences be happy and loyal ones, and if they are not, feel free to contact me!

~Shoshana~

Shoshana Fanizza is the founder of Audience Development Specialists. Her mission is to introduce artists and arts organizations to their existing and potential audiences and to help them to form more rewarding relationships.

http://www.buildmyaudience.com

Audience Development Blog

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Collaborating in tough times brings an audience development bonus!

Today I saw a collaboration in the news that was very encouraging.  There have been so many “tough times” articles, and I was very happy to see two arts organizations decide to team up to brave the economic storm together.

Jersey Symphony, Opera NJ team up in hard times

by Peggy McGlone/The Star-Ledger

Monday February 16, 2009, 6:45 AM

Although many arts groups are singing the blues, two New Jersey organizations are trying a new duet.

Opera New Jersey and the New Jersey Symphony Orchestra will collaborate on three productions this July in Princeton and a “Carmen” at three venues around the state next February.

http://www.nj.com/news/index.ssf/2009/02/jersey_symphony_opera_nj_team.html

What is fantastic about this collaboration is the fact that they will be sharing management, marketing, venues, performances (the opera is hiring the orchestra for performances instead of finding other musicians), and they will be sharing an audience with an announced  combined production.  This is a very smart move for these two organizations since they have similar missions,  and it will amount to growth for both organizations due to the combined efforts.  If they build relationships across the two organizations and their supporters, they are sure to benefit audience development wise too!

Until next time, may your audiences be happy and loyal ones, and if they are not, feel free to contact me!

~Shoshana~

Shoshana Fanizza is the founder of Audience Development Specialists. Her mission is to introduce artists and arts organizations to their existing and potential audiences and to help them to form more rewarding relationships.

www.buildmyaudience.com
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YouTube to bring in a new audience for classical music?

Today I caught wind of the first ever YouTube Symphony. What an amazing concept!

“We invite musicians from around the world to audition for the YouTube Symphony Orchestra. Your video entries will be combined into the first ever collaborative virtual performance, and the world will select the best of you to perform at New York City’s Carnegie Hall in April 2009.”

http://www.youtube.com/symphony

Here is how the concept works:

1. Renowned Chinese Composer, Tan Dun, (Crouching Tiger, Hidden Dragon) composed a piece for the final event.

2. Musicians are invited to download the sheet music for their part to practice. A YouTube of Tan Dun conducting the piece can be used to practice with. Also YouTubes of Masterclasses with members of the London Symphony Orchestra help musicians to tackle their parts.

3. The best will be invited to the main event at Carnegie Hall in April 2009 under the direction of Michael Tilson Thomas

4. All videos are posted on YouTube as well to get an idea of the talents that have submitted.

5. This is open for all professional and amateur musicians.

6. The deadline for all video submissions is January 28, 2009

So how does this new phenomenon relate to audience development? This is a brilliant tool to use to bring awareness about classical music and the world of a classical musician. Every orchestra in the world has an opportunity to share this with people in their community. Their audiences and potential audiences will learn what a musician goes through to audition for a position in an orchestra and they will see the end results – the auditions! This brings a great deal of credibility for classical music and for classical musicians. It isn’t as easy as it looks.

The other way this new opportunity can be used is to introduce the different instruments to your potential audience. If you do not have live video samples of each instrument, this is a great way to start such a program on your website.

Lastly, joining in on the thrill of this process can get people excited about classical music. This is as close to the American Idol for the classical music world that I have seen yet! There is a judging panel that will decide upon the finalists, but perhaps hosting a contest for your audience to vote on their top picks and seeing how close they are to the judges final selections could create quite the buzz. Perhaps they could win free tickets to your next performance?

YouTube is becoming the basis of a brand new way of sharing the arts and for marketing the arts. Are you a part of the YouTube revolution? If not, what are you waiting for?

Until next time, may your audiences be happy and loyal ones, and if they are not, feel free to contact me!

~Shoshana~

Shoshana Fanizza is the founder of Audience Development Specialists. Her mission is to introduce organizations to their existing and potential audiences and to help them to form more rewarding relationships.

www.buildmyaudience.com
E-mazing Audience Development News – sign up today!

New Audience Development Book Store!
Audience Development Book Bag – A cost effective way to learn about audience development, arts marketing and arts management.

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